Bon sim brothel money cheat generally favoured E5s while singing the ending build-ups.
2:31 - A streak of sung F5s, and an F or two, from the finale of "Love Hungry Man one of Bon's most impressive performances.
0:41 - A lenghty E5 from a live version of "Dog Eat Dog".
1:11 - Another sustained E, this time from "Whole Lotta Rosie" live.For Library and General enquiries, please email.(Oakland, California, 1979).If you are looking to make a comment or complaint then call us, email or send a message using the channels above.4:36 - Probably the best instance of Bon's lower range - Soothing vocals from "Ride On" with some solid C3s and brief A2s.3:59 - The ending of "If You Want Blood (You've Got It Bon goes totally crazy here - He starts screaming G5s, even trailing up to C6 briefly a couple of times.
5:04 - Sung B2s - his lowest melody singing - and a brief, weak A2, from "The Jack" - It was obvious this was most likely the bottom of his very bright, soft low range).
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2:57 - A live F during "Let There Be Rock Bon generally starts losing the 'dirty' distortion around this area.0:00 - High notes - A kickstart with a wonderful tenor high C (C5) from "Kicked in the Teeth Scott's very comfortable around this area.Scott had naturally a very effeminate, high voice, something that his vocal style, easily described as 'sleazy grit and rasp hid quite well.3:41 - Extremely wild primal screams during the Chuck Berry Cover "Johnny.3:35 - A clear G5, followed by a brief A5, from "Dog Eat Dog" live.(Sight Sound in Concert, 1977).4:31 - Low notes - A surprisingly solid B2 from "High Voltage".0:29 - A gritty C5, which briefly climbs up to C, from "If You Want Blood (You've Got.3:15 - A very easy trill up to G anal whore with no limits belle claire double anal during a live performance of "Sin City".4:25 - A yelped falsetto C6 from "Jailbreak".
0:35 - A blistering C from "Whole Lotta Rosie" live, played a semitone higher than the studio version.
Goode" with Cheap Trick, Scott manages to make his way up to A!
1:57 - More singing around the same pitch, this time from "Shot Down in Flames".